Sinuous tire trails cover the foreground of Ali Cherri’s (b. Beirut, 1976) Dust and Other Anxieties (2013). The image, from Abraham Karabajakian’s collection, presents a section of a road. Cherri’s perspective splits the image into three, with marked differences in color and texture. Closest to the viewer is a dark, tire-marked surface. Moving up the image, we notice a flatter, lighter stretch of ground. At the far back, the hazy sky descends onto sandy land; half-hidden by clouds of dust, the fuzzy outline of a monumental statue interrupts the otherwise featureless view.