Seeing Otherwise, The Eye as an Icon in the Art of Baya Mahieddine and Alymamah Rashed
The Idea of Landscape
What Ruin Can Mean
Feminist Materialities in the Work of Three MENA Artists
From Sustenance to Signifier. Food in Contemporary MENA Art.
Techniques of the Body
The Museum as Method
Across Four Cities: Rethinking Modernist Art in the SWANA Region
Objects, Domestic and Everyday
Institutions without Curators: Finding New Perspectives
Modularity and Modulation: On the Subtle Art of Sarah Almehairi
Helen Khal: Luminous Abstraction and the Feminine Voice in Arab Modernism (1923-2009)
Hamed Abdalla: The Revolutionary Letterist of Modern Arab Art
Truth In Memory: A critical commentary on the juxtaposition of memory and truth in the context of four artists from The Dubai Collection
Untold Stories: Exploring the Use of Narrative in the Work of Aya Haidar
Art Spaces not IRL: The Rise of Digital Museums
Art Spaces without Storage: The contemporary burden of “stuff”
New Ways of Artmaking: Contemporary Art after the 1979 Iranian Revolution
Artistic Mission: The Role of Pioneering Arab Women Artists in Modern Arab Art
Female Arab artists of the 20th century are coming into their own for their indelible contribution to the history of Modern Arab art
The Bride (Undated) and Motherhood (1987)
“I was born in a very modest place, therefore, I paint children, mothers, families, I paint misery, birth, death, and I paint the noise. I paint the tight-knotted groups that are lost, scarred, expelled, not knowing where is their next destination, I paint the neighborhoods which witnessed war, and hunger. Fear, genocide, siege, illness and death, from all of these ingredients I explode and I paint”. Paul Guiragossian, 1984 [1]