Yvette Achkar: Le Temps des Semailles, 2008
Mapping Desert Landscapes in Flux: Cultural Memory in Moath Alofi’s The Last Tashahhud
Héla Ammar, Hidden Portrait I: The Body as Living Archive
Gathering the Land’s Stories: The Living Symbolism of Olive Pickers, 2013
Reverberations of Memory: The Resonant Power of Chant Avedissian's Icons of the Nile
Samia Halaby: Rhythms of Return
Kamrooz Aram: A Lyrical Meditation on Memory and Renewal
I Saved My Belly Dancer
Between Fragments: Togetherness, 2005
Alia Ahmad: Mapping Memory, Colour, and Belonging
Omar Najjar: A Modern Impressionist Reflection on Nostalgia
Etel Adnan: A Final Testament to Colour, Conflict, and Cosmic Witness
Suad Al-Attar’s Testament to Loss and Endurance
Helen Khal: Windows of Light and the Emotive Vocabulary of Colour
Seher Shah: Of Absence, 2020
Harmony and Experimentation: Two Paintings by Mouteea Murad in the Dubai Collection
Assadour Bezdikian: Clockwork Orange, 1990
An Exploration of Timo Nasseri’s Artistic Practice Through His Work I Saw a Broken Labyrinth #14
Juma Al Haj: Of Mud, 2021
Mohamed Melehi: 'There is no abstract art that is 100 per cent so'
Gazbia Sirry: 'A Lost Family'
Mona Saudi: 'What Is Found in the Dream'
Helen Khal: 'At the Still Point of the Turning World'
Suad Al-Attar: 'A Balancing Act'
Naziha Selim: 'The Warmth of Tea and a Mother's Embrace'
Huguette Caland: 'My knees hurt, I am aging like Rossinante'
Jamil Molaeb: Arbre aux oiseaux, A Haunting Visual Metaphor of Constraint and Liberation
